Megan and Murray McMillan

    • Projects
    • Biography
    • CV
    • Contact
    • Blog
  • Writing

    • Artists
    • Education
    • Tools and Tech
    • Writing
  • Process

    • 2004 – 2012 Sketchbook
    • 2004 People, 29 Burdens
    • 2005 Mountainside
    • 2005 The Grasp Hand and…
    • 2006 Bruc Fugue
    • 2006 Sea Shovel
    • 2006 The Stepping Up and…
    • 2007 Channelbone
    • 2007 The Oldest Song We…
    • 2008 A Slight Shift of Gravity
    • 2008 The Listening Array
    • 2009 While She Waits for the…
    • 2010 What Stands Between…
    • 2010 What We Loved and Forgot
    • 2011 Remains of Something…
    • 2011 The Shape of Our Best…
    • 2012 When We Didn't Touch…
    • 2013 In What Distant Sky
    • 2014 The Shifting Space…
    • 2015 This Land is a Ship at Sea
  • Places

    • Boston
    • Finland
    • Germany
    • Greece
    • London
    • Los Angeles
    • New England
    • New York City
    • Providence
    • Spain
    • St Louis
    • Texas

Sound Art Substantial

April 6th, 2005 · No Comments · 2004 - 2012 Sketchbook, Artists

Soundart3

Inkblot’s The Language Game (2000) — produced by tomlab, Cologne, Germany — continues to be one of my favorite sound albums. Cool, subtle, but not without wit and an actual melody every now and then as it surfaces for air (similar to the Pixies). Immediately enjoyable, like Steve Reich or Eno’s legendary Music for Airports.

Category: 2004 - 2012 Sketchbook · Artists

← Bill T. Jones vs Dance for Camera What I Teach Besides the Subject →

No Comments so far ↓

There are no comments yet...Kick things off by filling out the form below.

Leave a Comment

Click here to cancel reply.