Timothy Hutchings, Battle of the Mass, 2007, single-channel video still
Julia Hechtman, Before the Fall, 2007, single-channel video still
Rupert Nesbitt, Atmosphere, 2007, single-channel video still
Nade Haley, Erik Satie, 1994/2008, single-channel video still
CONSIDERING THE MONUMENTS: VIDEO FROM THE EAST COAST
Curated by Megan and Murray McMillan
Project Space | 21 East 12th Street | 816.221.5115
Third Friday opening: June 20, 6-9 pm
June 20-July 19, 2008
Hours: Thursdays & Saturdays, 12-5 pm
Boston, New York City, Providence: these are three of the oldest and most historic cities in the United States. Each has been and is still home to a vast number of working artists and has had a front row seat for the first few hundred years of American art history. Considering the Monuments: Video Art from the East Coast looks at nine artists living in these cities. How do the artists who live and work in these cities contend with the weight of that history? How do artists living in these cities envision the future?
This diverse collection of videos, presented as a single-channel program of approximately 40 minutes, was curated by Megan and Murray McMillan, an artist-partnership collaborating in video, photography and installation. Based in Providence, Rhode Island, they are represented by Qbox Gallery in Athens, Greece and have exhibited nationally and internationally including at the National Museum of Art in La Paz, Bolivia, White Flag Projects in St. Louis, and Sound Art Space in Laredo, Texas. They are beneficiaries of several awards including grants from the Dallas Museum of Art and Purdue University, and recently participated in the 10th International Istanbul Biennial (2007) in Turkey.
The exhibition features recent video works by Pawel Wojtasik, Julia Hechtman, Timothy Hutchings, Joseph Tekippe, David Politzer, Brian Hutcheson, Rupert Nesbitt, Peter Owen, and Nade Haley. Whether exploring the new landscapes of public waste (Pawel Wojtasik’s Landfill), posing an apocalyptic entreaty (Julia Hechtman’s Before the Fall), merging iconic American tourist destinations with intimate storytelling (David Politzer’s Mt. Rushmore and Niagara Falls), or juxtaposing street-level images and GPS data to portray a walk around Manhattan (Joseph Tekippe’s 24 Hours Walking Manhattan: [Excerpt]), the artists represented in this exhibition consider the history and narrative of place and attempt to find their own place within it.
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