Inkblot’s The Language Game (2000) — produced by tomlab, Cologne, Germany — continues to be one of my favorite sound albums. Cool, subtle, but not without wit and an actual melody every now and then as it surfaces for air (similar to the Pixies). Immediately enjoyable, like Steve Reich or Eno’s legendary Music for Airports.
Sound Art Substantial
April 6th, 2005 · No Comments · 2004 - 2012 Sketchbook, Artists
Category: 2004 - 2012 Sketchbook · Artists
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